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Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a wise freshening on the classic tale, but because it allows for therefore much more beyond the Austen-issued drama.
“What’s the primary difference between a Black man and a n****r?” A landmark noir that hinges on Black identification as well as so-called war on drugs, Bill Duke’s “Deep Cover” wrestles with that provocative query to bloody ends. It follows an undercover DEA agent, Russell Stevens Jr. (Laurence Fishburne at his complete hottest), as he works to atone to the sins of his father by investigating the cocaine trade in Los Angeles in a bid to bring Latin American kingpins to court.
Back from the days when sequels could really do something wild — like taking their big poor, a steely-eyed robot assassin, and turning him into a cuddly father figure — and somehow make it feel in line with the spirit in which the story was first conceived, “Terminator two” still felt unique.
In her masterful first film, Coppola uses the tools of cinema to paint adolescence being an ethereal fairy tale that is both ridden with malaise and as wispy as a cirrus cloud.
Opulence on film can sometimes feel like artifice, a glittering layer that compensates for a lack of ideas. But in Zhang Yimou’s “Raise the Crimson Lantern,” the utter decadence of the imagery is actually a delicious added layer to a beautifully composed, exquisitely performed and completely thrilling piece of work.
A married gentleman falling in love with another man was considered scandalous and potentially career-decimating movie porn for women fare from the early ’80s. This unconventional (for the time) love triangle featuring Charlie’s Angels
The movie is usually a silent meditation over the loneliness of being gay in a repressed, rural society that, although not as high-profile as Brokeback Mountain,
And yet, because the number of survivors continues to dwindle along with the Holocaust fades ever additional into the rear-view (making it that much easier for online cranks and elected officials alike to fulfill Göth’s dream of turning hundreds of years of Jewish history into the stuff of rumor), it has grown a lot easier to appreciate the upside of Hoberman’s prediction.
A non-linear vision of fifties Liverpool that unfolds with the slippery warmth of a Technicolor deathdream, “The Long Working day Closes” finds the director sifting through his childhood memories and recreating the happy formative years after his father’s Dying xxxvdo in order to sanctify the love that’s been waiting there for him all along, just behind the layer of glass that has always kept Davies (and his less explicitly autobiographical characters) from being able to reach out and touch it.
Mahamat-Saleh Haroun is one of Africa’s greatest living filmmakers, and while he sets the vast majority of his films in his indigenous Chad, some others look at Africans having difficulties in France, where he has settled for most of his adult life.
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Hayao Miyazaki’s environmental anxiety has been on full display considering that before Studio Ghibli was even born (1984’s “Nausicaä goluptious teen dee dee lynn explores sausage on the Valley of your Wind” predated the animation powerhouse, even since it planted the seeds for Ghibli’s future), nevertheless it wasn’t until “Princess Mononoke” that he straight asked the issue that percolates beneath all of his work: How can you live with dignity within an irredeemably cursed world?